test drive meme #1

[historiadores]

TDM #1

LA LLEGADA

The Museum of Art and History is the largest and oldest in Llave, and contains a grand collection spanning from the time the first humans landed on its shores to the modern day. The building encircles an open courtyard where an art installation sits amidst many of the plants important to the settlers of Llave. Behind the museum is a wide, shallow field of hard-packed dirt lined by large stones, the petroglyphs on their surface worn by time—the earliest known playing field in all of the Caribbean. And further out are the areas where excavations are ongoing, uncovering the pottery, jewelry and artifacts of the ancestors.

After awakening, things move quickly. The museum is closed, and the characters ushered into the courtyard to wait. Any needing emergency medical attention are kept in one of the air conditioned galleries until the paramedics arrive. A group of women with a military bearing take charge of the situation; identified as the Bajari Bara, they question the healthy and able. They cede authority only to the Prime Minister when she arrives. Two more of their group flank the nation's leader, though they step aside when she begins to walk among the new arrivals to speak with them.

Each side has many questions and few answers. Characters are informed they are in Llave. It's October 2020. And efforts will be made to return them to their homes. But how they came to be here and why remain mysteries…as does how they’ll find their way back.

A hurricane shelter nearby is activated for use by the recent arrivals. There, characters are provided with food and clothing, a cot and other basic supplies. No one is allowed out, but through the windows they can see the lush green of the their surroundings. At night, coquí sing them to sleep. Those taken to a hospital will remain there until they are discharged. Each patient is allowed one visitor to stay with them overnight.

Over the next several days, all characters undergo physical and mental evaluations; are provided with their first immunizations; have the next legal steps explained to them; and are taught about Llave. Every character, regardless of age, has a caseworker who checks in with them daily. None have been arrested, they are assured. But they must also complete the quarantine process. To enforce quarantine, at both the hospital and the shelter, the Bajari Bara guard every entrance and exit.

Welcome to Llave.

EL AREYTO

As luck would have it, around the time quarantine ends, all of Llave is in the midst of celebration. Today is the Day of Heroes, celebrated every last weekend in October, which this year happens to fall on the eve of All Saints’ Day. So when the new arrivals venture out for the first time, Nona, the capital, welcomes them with color and music.

The people of Llave have a special love for music and dance, and it shows. All day, groups gather to play, and many more to dance. The songs center around heroes of Llave with the chief of these being Nuna, a beloved figure who is said to have led her people here to freedom. Those performing wear traditional clothes: guayaberas, long circle skirts, palm hats and headwraps, all brightly colored.

From early morning, artisans have set up under tents tables laden with goods. Clothing, jewelry, musical instruments, paintings, and more made from leather and wood, seashells and fish scales, aluminum and copper. Many create right at the table. Most popular are those working on cemís: sculptural objects, said to house the spirits of ancestors. Many carry them as amulets especially on this the eve to the days of the dead.

The food is equally rich and one of the cooks takes an interest in the new arrivals. Those who eat his food find their mood changing depending on what they ate. The tostones he prepared while speaking of his childhood home in Santa Cecilia bring on feelings of joy and contentment. The alcapurrias fried while arguing with a customer about last night’s wrestling match cause those who eat them to feel irritated. And the casabe, a flatbread made of cassava, that he explains he learned to make from his wife who passed, induces a profound nostalgia for lost loves. His wife, recognizable from the photo he keeps on the wall, sits beside those most affected and comforts them until the melancholy passes.

More dead can be found. An old man in a fine guayabera recalls composing the lyrics to a particular song. He points out the man playing the congas and proudly says his great-grandson will soon outplay him. When characters look back to the old man, he’s gone. Those with a sense for it will recognize many dead walking among the living. These next few days honor and celebrate the departed, and the dead have seized the rare opportunity to join the festivities once more.

For those who prefer the sea, the impossibly blue waters of the Caribbean are just a short walk away. Cobblestone and concrete paths line La Bahía de Nona. On one of the larger rock outcroppings jutting into the bay sits a silver-white dog. If called, he will trot over. Up close, one can see his color is due to the sand and salt that has collected on its coat. Though he allows himself to be petted, he does not step off the rocks. A passerby comments that the dog has been waiting for his master to return. How long? The man shrugs. When he was a boy, the dog was keeping watch; now he’s forty-three, and the dog is still there.

EL TRAVIESO

Or perhaps the characters were more distracted by how clean the water was, how clear. Enough so that the sight of a bottle bobbing in the waves seems offensively out of place. Anyone who chooses to snag it out of the water will find it’s a corked bottle of rum, apparently empty.

From a nearby restaurant, someone yells and waves their hands—too late. By uncorking it, they have freed the bacoo. Immediately, everyone backs away. Two cross themselves.

Only one stays long enough to warn, “You have to trick it back into the bottle. It likes milk and bananas. Don’t ask it for anything.”

Turn around, and the bacoo is there.

Short and rugged with large eyes, long arms and legs, covered in unkempt hair and its fingers and toes ending in claws, the bacoo is a strange little creature. Stranger still, it can grant any wish—so long as it is kept appeased with a steady diet of milk and bananas.

A hungry bacoo will pelt walls with stones, move objects, keep its owner up at night, and otherwise wreak havoc until it is fed. A shapeshifter, they can be difficult to locate, much less trap. And a starving bacoo will turn vicious and its pranks malicious.

Best find a way to trick it into the bottle. Fast.

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OOC NOTES

This TDM covers from mid-to-end of October. The first prompt lasts approximately two weeks; the second, a day. For now, all characters are restricted to Nona. Any attempting to leave will be gently, but firmly escorted back.

The TDM will also double as the first IC post of the game. Threads between any two or more characters who were all apped and approved will be considered game canon. As such, actions characters take in this TDM will impact the game once it opens. How characters behave will shape the inhabitants’ first impressions of them. Make it count.

Questions regarding this TDM can be asked below, while questions regarding the game at large should be directed to the FAQ.

Thank you for your interest and we hope to have you join!

NAVIGATION • IC COMM • OOC COMM • MEME COMM

Comments

arrival;

[prettysoldiers]

[ by the time heero offers the rations to her, usagi has already had the worst day of her life. at least, it feels that way. she'd cried when she first came in — first the loud wailing kind, and what came after that was different. worse, in a way. it was silent, indolent moping. real depression — not an affectation for attention.

so when she looks up and sees a boy her age holding out food, even if it looks like the dried protein bars that molly's mom used to eat while she was on that diet, usagi's eyes get wide. ]

Wow, really? This is for me? [ he doesn't have to say it twice. usagi takes the ration bar from his hands and unwraps it and gulps it down like a snake with a bird's egg. with her mouth still full of dry crumbles, she says, ] Say, do you know if there are any more of these?

[heeroism]

﹙ you know, he's almost impressed. there's an upwards twitch of one eyebrow, and then he regards her impassively, arms folded. ﹚

See for yourself.

﹙ he jerks his chin off towards the neat pile of boxes meant to last them through their quarantine period. though those dense caloric bars are apparently supposed to be a full meal, he doesn't really care. it's not like he expects her to be able to go through the whole box, and right now it's just the two of them. their captors seem too invested in them to let them starve, anyway. ﹚

[prettysoldiers]

Wow, that's a lot.

[ she goes over to open up the box, rifling through it. as she does, she can't help counting, and with another one opened and in her mouth (when did that happen?), she finally thinks to say: ] It's almost like they planned to leave us in here for a while! [ but she laughs like that would be RIDICULOUS. ]

[heeroism]

﹙ duo could take lessons from this girl on filling his face, and that's really saying something. ﹚

There's no telling how long we'll be here. Most quarantine periods last between ten and fourteen days, but I don't think this is the sort of place that plays by the rules.

﹙ so, you know. go easy. or don't. he doesn't exactly care. ﹚

[prettysoldiers]

Why do they have to quarantine us anyway? It's not like we're sick.

[ her voice has a harshness to it that makes the question sound more like a complaint, and she waves her hand accordingly. ]

[heeroism]

Quarantine doesn't always mean we're sick. It could mean that we are carrying something that's normal to us, but might make them sick.

﹙ read a history book, child!! gosh. ﹚

I'm sure once they've run whatever tests they need, they'll let us out.

﹙ if they had other intentions, they would have acted on them by now. ﹚